ca 1630-1640   Related Paintings of simon luttichuys :. | Vanitas still life with skull | Vanitas still life with skull, books, prints and paintings by Rembrandt and Jan Lievens, with a reflection of the painter at work | tillskriven | with a Peeled Lemon in a Roemer | Tankard with Oysters, Bread and an Orange resting on a Draped Ledge |
Related Artists:
KNELLER, Sir Godfrey
German-born English Baroque Era Painter, 1646-1723 English painter and draughtsman of German birth. He was the leading portrait painter in England during the late 17th century and the early 18th, and, as such, the chief recorder of court society for almost 40 years. He popularized the kit-cat format for portraits and was also the founding governor in 1711 of the first proper academy of art in England. His older brother Johann [John] Zachary Kneller (b L?beck, 1642; d London, 1702), with whom he was close, was also a painter; his works include watercolour miniatures and still-lifes,
Bartolome Perez
(1634-1693) was a Spanish painter of the Baroque period. Born in Madrid, he became the son-in-law and pupil of the painter Juan de Arellano. Known as a painter of flowers and still life, known as bodegones. He also painted scenography for performances at the theater of Buen Retiro, for which he was named painter of the King without salary in January of 1689. He died after falling from a scaffold used to paint the ceiling of the palace of Monteleon, and was buried in the church of San Ildefonso.
Hans Memling
Netherlandish Northern Renaissance Painter, ca.1435-1494 Born in Seligenstadt, near Frankfurt in the Middle Rhein region, it is believed that Memling served his apprenticeship at Mainz or Cologne, and later worked in the Netherlands under Rogier van der Weyden (c. 1455?C1460). He then went to Bruges around 1465. There is an apocryphical story that he was a wounded at the Battle of Nancy, sheltered and cured by the Hospitallers at Bruges, and that to show his gratitude he refused payment for a picture he had painted for them. Memling did indeed paint for the Hospitallers, but he painted several pictures for them, in 1479 and 1480, and it is likely that he was known to his patrons of St John, prior to the Battle of Nancy. Memling is connected with military operations only in a distant sense. His name appears on a list of subscribers to the loan which was raised by Maximilian I of Austria, to defend against hostilities towards France in 1480. In 1477, when he was incorrectly claimed to have been killed, he was under contract to create an altarpiece for the gild-chapel of the booksellers of Bruges. This altarpiece, under the name of the Seven Griefs of Mary, is now in the Gallery of Turin. It is one of the fine creations of his more mature period. It is not inferior in any way to those of 1479 in the hospital of St. John, which for their part are hardly less interesting as illustrative of the master's power than The Last Judgment which can be found since the 1470s in the St. Mary's Church, Gda??sk. Critical opinion has been unanimous in assigning this altarpiece to Memling. This affirms that Memling was a resident and a skilled artist at Bruges in 1473; for the Last Judgment was undoubtedly painted and sold to a merchant at Bruges, who shipped it there on board of a vessel bound to the Mediterranean, which was captured by Danzig privateer Paul Beneke in that very year. This purchase of his pictures by an agent of the Medici demonstrates that he had a considerable reputation.